Facilitator / Teacher Trainers
Mary Knysh is the founder of Rhythmic Connections, (www.rhythmicconnections.com) an innovative company advancing education, health, and creative development through drum circles and music improvisation. Mary is a cutting edge workshop facilitator, trainer and consultant who uses music as a means for personal and organizational transformation through creativity, leadership and non verbal communications. She is a professional musician; recording artist and international author. An international teacher/trainer with the Music for People organization (www.musicforpeople.org ), Mary is also an Orff Schulwerk clinician and teaching artist for the Pennsylvania Council of the Arts, Young Audiences of NJ, and New York BOCES. She is endorsed by Rhythm Band Instruments and Remo corporations. Mary travels throughout the United States, Europe, Australia and Asia offering music improvisation seminars, drum circle facilitator trainings and performances.
Dr. David Rudge
David Rudge, a Graestras and Opera at SUNY – Fredonia. Besides conducting throughout the US and abroad, he is a performing violinist. David, a member of the Art of Improvisation teaching staff for Music for People, teaches Free Improvisation at SUNY-Fredonia, and directs the Improv. Collective, a performing ensemble dedicated to free improvisation for self-expression (www.fredonia.edu/som/improv). As an improvising musician, he has studied and/or performed with Paul Winter, Paul Horn, Arthur Hull and Don Campbell. He has also performed as conductor with David Darling and Jon-Luc Ponty. David has been involved with Music for People since its inception, has taught Free Improvisation in such diverse settings as Oklahoma State University, the Connecticut and New York Public Schools, the Kiental Center in Switzerland, the North Carolina School of the Arts. Some of David’s other interests are Tai Chi, ceramics, travel and photography.
Teaching Staff / Production Manager
Breanna Metcalf-Oshinsky is the newest member of music for people’s staff, and the first generational legacy. Bre is the daughter of Emily Metcalf, the namesake of MfP’s memorial scholarship fund and staffer Jim Oshinsky. A public relations major, Bre now handles workshop production and publicity for mfp.
Bonnie Darling is the heart and hostess of Music for People’s office. She is the friendly voice on the phone messages, the one who caringly listens to callers and helps with all registration details, and the one who handles the business aspects of mfp behind the scenes.
Lynn Miller is the coordinator for the Music for People Musicianship and Graduate Programs. She facilitates the vocal track for the Art of Improvisation. Lynn is also on staff for Flute Haven Native Flute School. She has been adjunct faculty in the music therapy Department of Immaculata University. Currently she is practicing music therapy at a Philadelphia Hospital where she has also painted 12 murals. Lynn has a private practice where she specializes in Therapeutic Voice and Sound Healing.
Musically, Lynn has a background in folk, jazz and is influenced by world music. Along with her passion for the voice, she also plays the Native flute, guitar and other string instruments from around the world. Lynn is also a visual artist who has created mosaic and painted murals in hospitals and communities in the US and Europe.
Lynn is the author of SpiritArts, Transformation through Creating Art, Music and Dance. SpiritArts is a guide toward authentic self through improvisation,the arts and spirituality. For additional information visit LynnMiller.org.
James Oshinsky, Ph.D. is a psychologist and musician who has been part of Music for People since its inception. Jim helped formalize Music for People’s training programs, especially in the area of group dynamics and leadership.
He is the author of Return to Child, Music for People’s Guide to Improvising Music and Authentic Group Leadership.
A guitarist, bassist, percussionist and singer, Jim has led sessions in many aspects of musicianship at Music for People sessions and in his own Music From the Heart workshops. Behind the scenes, Jim has served Music for People as a staff member, director, board member and board president. He has a private practice in psychology and teaches college classes in psychology and music at Adelphi University in New York.
In 1969 David joined the Grammy Award-winning Paul Winter Consort, a progressive band for its time whose sound blended jazz with Brazilian, African, Indian and other world music. During his eight-year stint as soloist, composer and vocalist with the Consort, Darling was exposed at length to ensemble and solo improvisation.
Since leaving the Consort in 1978, he has dedicated himself to a solo performing and recording career, and to teaching music and improvisation. David’s solo albums and recording collaborations represent a worldview of musical genres.
In 1986 he co-founded with Bonnie Insull, Music for People, a non-profit educational network dedicated to teaching and fostering improvisation as a means of creative self-expression. David Darling’s unconventional, playful teaching style has helped open the world of music and improvisation to thousands.
For the past fourteen years, Darling has worked for Young Audiences, Inc., a National Medal of the Arts award-winning organization dedicated to enriching children’s lives by providing in-school programs, classroom workshops, artists’ residencies and performances. David Darling was presented with the 1995 Artist of the Year Award in recognition of his hard work, innovations and creativity in the service of arts-in-education.
Darling has collaborated on performances and recordings with more than three dozen other musicians, among them: Paul Winter Consort, Bobby McFerrin, Spyro Gyra, Arlo Guthrie, Peter Kater and R. Carlos Nakai — also including Peter, Paul and Mary; Tai Ji master Chungliang Al Huang; Ralph Towner; Jon Christensen; Jan Garbarek; Dino Saluzzi; Terje Rypdal; Ketil Bjornstad; the Nickolais-Louis Dance Theater, and the innovative dance ensemble, Pilobolus. His collaboration with Nakai and Kater, an album entitled “Migration,” was named 1992 New Age Album of the Year by the National Association of Independent Record Distributors (NAIRD).
Darling contributed to the musical score of German director Wim Wenders’ film “Until the End of the World” and was a featured solo improvisor on the Wenders film “Far Away, So Close.” Other film credits include music for Jean-Luc Godard’s classic “Nouvelle Vague,” the 1996 movies “Heat” and “Mostly Mozart,” and recently a US National Park Service film “Canyonlands.”
Recently David has worked with Peter Kater, Patrick Leonard, Coleman Barks, the Bunon tribe of Taiwan, Hearts of Space, Wind Over The Earth, The Relaxation Company and numerous musicians in his home studio. He recently created Blue Adagio Music where he produces CDs for other artists.
David continues to travel the world extensively teaching, playing and encouraging self-expression through music. His 2001 CD Release “Cello Blue” was nominated for a Grammy in the “Best New Age Album” category. David’s release “Prayer for Compassion” won the 2009 Grammy for Best New Age Album of the Year! He can be reached at email@example.com.
She was in the vanguard of women involved in the medium of electronic music, also teaching 7 years at the graduate level in an original, now vintage, Moog Electronic Music Studio. She was awarded a Woodrow Wilson Fellowship and Creative Artist Public Service grants for Multimedia Performance and Music Composition. For a number of years she was involved in the Avant-Garde Music Scene composing electronic music, creating multimedia performance pieces and unique concert experiences, composing for modern theater and dance, including, Robert Wilson’s “Deafman Glance” and electronic music for dance film aired on national public television. Julie is a pianist, composer, electronic musician and innovative educator.
She is currently involved in composing, performing, recording, giving private sessions and facilitating workshops. These workshops in community building, personal growth, going deeper into one’s musicianship, and expressing one’s musical self through improvisation, integrate the philosophies of Music for People with her own.
The way she moves through a room, inviting you to listen, to play, and be moved by the present moment has been described as “a moment of pure Zen” “Before you know it, you’ll be transported to a place that is both playful and profoundly creative. I’m always amazed at the music that comes out of her workshops!” She believes that providing a supportive environment for these process-centered creative experiences bring us to the center of our beings where we can experience immense joy, where we can do some of our best learning as human travelers and give a great gift to our world. Her newest passion is learning to play the cello.
Legacy MLP Chairs: